Yohji Yamamoto, Kim Kardashian and Chanel’s Matthieu Blazy Are This Year’s BoF 500 Cover Stars

On Friday, Oct. 3, The Business of Fashion will unveil 100 new additions to The BoF 500our definitive index of individuals shaping the worldwide vogue trade. To mark the event, we sat down with three members of The BoF 500 neighborhood to debate how they’re responding to the tumultuous state of vogue and the broader world.

This yr’s BoF 500 comes at a pivotal second. Across the trade, from rising manufacturers to world giants, vogue corporations are feeling the stress of an more and more unstable world, marked by geopolitical conflicts and macroeconomic uncertainty.

But the trade is affected by self-inflicted wounds as nicely. Too many corporations have prioritised income and revenue development on the expense of long-term model values and buyer belief. Rampant worth will increase, declining high quality, provide chain scandals and a common lack of creativity and innovation have all performed a component in weakening vogue’s worth proposition at a time when competing way of life classes are capturing higher share of pockets.

This yr’s BoF 500 cowl stars — Yohji Yamamoto, Matthieu Blazy and Kim Kardashian — are every grappling with this second in their very own manner, in their very own segments of the market.

Fashion’s punk poet Yohji Yamamoto is indignant. He is exhausted with geopolitical conflicts, frightened by steadily creeping local weather change and anxious in regards to the present state of the style system.

“Fashion has become a joke,” he informed me at his headquarters in Tokyo. “It’s all about money. The major companies of fashion, they’re like kids playing kid soccer, just running after the ball. They’re not thinking about their customers. I just think they have too much money, so they don’t need to work hard. Money is always floating on them.”

Following a chapter and restructuring over the last nice vogue disaster in 2008, Yamamoto’s “small but strong” enterprise is now producing greater than $200 million in revenues and rising at 15 % yearly, far outpacing the market. But he is aware of that he’ll cease designing within the coming years and has been quietly centered on putting in his succession plans. In our trade, he revealed what he’s considering and feeling about life, love, loss and the way forward for his enterprise and the broader trade.

In Paris, Chanel’s Matthieu Blazy has been tasked with re-energising the French couture big, itself a worldwide image of luxurious vogue. In a sequence of interactions with BoF’s Tim Blanks that came about within the run as much as Blazy’s highly-anticipated debut present on October 6 we learn the way the designer uncovered new insights into Gabrielle Chanel’s course of as he charts new territory for Chanel — and vogue at massive.

“I think fashion is in a funny state,” stated Blazy. “It grew very, very fast over the last years, post pandemic, and it kind of hit a ceiling. I think now what fashion needs to do is to rethink its own model, but not just when it comes to design. We’ve seen some houses exploding, we’ve seen some houses collapsing. What needs to be done is a deep work on what fashion stands for. I think we are at a stage where fashion needs to re-imagine its own narrative. Luxury is not enough anymore. It’s expensive and it’s rare, so it’s good? That’s not enough.”

Meanwhile, Kim Kardashianthe social media star, entrepreneur and one of the vital seen girls on the planet, is cementing her function as an era-defining model builder together with her $4 billion shapewear label Skims. Just final week, she unveiled NikeSkims, a blockbuster partnership with Kardashian’s body-positive, shade-diverse label that might assist Nike lastly crack the code with girls — and ship Skims’ valuation greater nonetheless.

BOF’S Sheena Butler-Young spoke at size with Kardashian, in addition to prime executives at Nike and Skims simply as they had been placing the ending touches on the launch, to know their recreation plan.

“Seeing the marketplace and how overcrowded that is, I wanted something that was so just clear, different, innovative,” Kardashian stated. “I wanted it to have the credibility that Nike has and I wanted the customer to have this feeling that they’re going to get a really strong Skims product.”

But Kardashian is aware of immediately’s clients are searching for greater than a greater product. “I don’t measure it just on sales,” she added. “I measure a lot of it on the cultural impact that it would have.”

To get the primary have a look at The BoF 500 Class of 2025 and this yr’s cowl tales, join to the BoF Daily Digest Newsletter.