Published
October 17, 2025
The environment on the forecourt of Villa Noailles was effervescent, with a tightly packed crowd delighted to be again collectively once more this yr on the Hyères International Festival of Fashion, Photography and Accessories. Yet this must-attend occasion for trend and rising expertise had been beneath risk from a extreme finances disaster. In the group, there was palpable aid and a willpower to do the whole lot attainable to make this 40th version successful.
On the roof of the imposing rationalist constructing that hosts the occasion on the heights of Hyères, within the Var, a flag bearing a multicoloured solar flies. The flag was designed by Jean-Charles de Castelbajac, who’s on the Fashion competitors jury. He stands alongside the opposite juries and institutional representatives on the brand new stage arrange within the backyard for the opening ceremony, set in opposition to the backdrop of one other giant rainbow solar. This new association, a departure from the standard ritual on the villa entrance, gently indicators the transition.
“This sun represents what Villa Noailles is all about: dream, creation… It’s the sun that will celebrate this 40th edition,” declared Pascale Mussard, the establishment’s president, the primary to talk on Thursday night, thanking “all the people who make the Festival possible”.
The mayor of Hyères, Jean-Pierre Giran, adopted go well with, thanking, not with no sure emotion, all these current. “There are many of you here, and that’s what matters most, demonstrating your commitment to this project of creativity, modernity and youth,” he instructed the viewers.
“This Festival project is one of a kind, particularly in terms of its reach and longevity,” emphasises Hugo Lucchino, the brand new basic supervisor of the Villa Noailles artwork centre, who oversees not solely the famend competitors for younger designers but in addition different occasions resembling Design Parade.
Having taken up his put up only a few days in the past, he pays tribute to his predecessor, Jean-Pierre Blanc, the Festival’s emblematic founder. The mayor and Pascal Morand, govt president of the Fédération de la Haute Couture et de la Mode, additionally pay tribute.
Before declaring the Festival formally open, Lucchino additionally thanked, “for their unfailing support,” the companions who’ve all stepped up at this pivotal second for Villa Noailles. These embrace native institutional companions and the French Ministry of Culture, in addition to personal sponsors resembling Chanel, Le 19M, LVMH, Hermès, Supima, Kering, American Vintage and Première Classe, to call however a number of.
Support for creativity
“I’m really happy, I feel there’s incredible energy. You can sense that everyone is fully on board. We all want it to continue, because it’s a great festival,” mentioned designer Lutz Huelle, who was on the jury in 2015. “We’re witnessing a kind of ‘reset’. The fact that there’s no jury president this year, but only fashion professionals, is a good idea, because Hyères is, above all, a Festival for young designers and students.”
Mauro Grimaldi, a guide within the luxurious sector who has been attending the occasion for thirty years, reiterated how necessary it’s to assist occasions of this type.
“All anyone talks about is money, but it’s crucial to support independent creativity, because the young talent it generates is what feeds the fashion industry. That’s why this is a key edition,” he concluded.
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